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An Arabunna man, Uncle Kevin Buzzacott devoted himself to the protection of that delicate, glorious country of north eastern South Australia with its Great Artesian Basin’s ancient waters threatened by the succession of powerful mining companies operating Roxby’s Olympic Dam.
Will the Housing Australia Future Fund make a dent on Australia’s housing crisis? After a political tug-of-war, the government's ambitious $10 billion Housing Australia Future Fund (HAFF) has passed parliament, promising tens of thousands of new homes. But with over 170,000 households on social housing waiting lists and a skyrocketing rental market, the question remains: is the HAFF enough?
Despite rising interest rates and the recent dip in property values, Australia’s housing situation places it among the least affordable property market in the world. With a rise in homelessness and younger Australians locked out of an inflated housing market, what is the way forward for Australia?
When more nuanced commentary around the passing of Queen Elizabeth II came to the fore, it was hard to avoid the difficult realities of the British monarchy and an institution that has not, through its history, delighted those conquered in its name. With Elizabeth II, it was notable that she let an opportunity to engage the topic of empire in Britain’s collective memory go begging.
The ‘Land Rights Now’ banner is hoisted against the wind, and the marchers set off for the Embassy. A young Aboriginal woman walks ahead of the banner. She has dyed her hair red. She turns and leans into the wind to face the marchers, holding a megaphone to her mouth. ‘What do we want?’ she shouts, ‘When do we want it?’ And she keeps going, exhorting the marchers. We reply ‘Land Rights … Now!’ The crowd tires before she does.
Exposure to pornography has been linked to an increase in in sexually aggressive behaviour and adolescent dating violence. This mass, industrial-level grooming of our young is causing lasting damage to their social and sexual development and leading to even more women and girls being viewed as less human.
There’s nothing wrong with us enjoying a quiet breakfast and admiring the beauty of a winter city steeped in recovery. If we can’t also see the people sleeping on cold concrete, or sitting half-dressed, with no hope, peering through unfocused eyes, then we’re not getting the whole picture.
The quality of Niall’s writing is evident in An Accidental Career, though easily unnoticed. It lies in the clarity of her thought, her exact choice of words, the alternation of anecdote and reflection and the self-effacement that creates a direct link between the reader and the work itself. Her writing has the rare gift of simplicity. The precision of the title is characteristic of the book as a whole.
Discussion of housing usually focuses exclusively on its relationship to the economy. Housing is seen as property, and the most important questions are seen as having to do with buying and selling. This transactional aspect is important. It needs, however, to be seen in the light of the larger human good. From that perspective housing in all the various forms it takes in different cultures is not a possession but a human need.
Come the next set of lights, you won't remember what I look like. You'll all go back to your lives thinking about your wives, girlfriends, kids, parents, brothers, sisters, lovers, friends, husbands, boyfriends, whoever, not me. But I needed a night out in the city and the city spoke back to me when I had no one else to spend the night with.
There’s not a spare parking spot to be had in the NSW central west town of Orange. Patrons spill from cafes onto pavements and queues trail in orderly ribbons from the gelato shop’s doorway. There’s no room at any inn, and restaurants are bursting at their (COVID-compliant) seams; forget about scoring a table if you haven’t booked ahead of time. Travel is back, and regional Australia is the big winner.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
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